Outdoor Advertising Takes Us One Step Further to Living in a Sci-fi Movie...

Movies always seem to utilize outdoor advertising in some bombastic ways whenever they need a 'dystopian' future-scape. From 'Blade Runner', 'Idiocracy' & 'Robocop' to 'AI', 'Back to the Future', 'Minority Report' & 'They Live', outdoor advertising plays a role in conveying an emphasis on the conspicuous consumption & promotional opportunities of the future. However, this week, 2 stories in the mainstream press seem to have emphasized how close we are to having at least the capability, if not the consumer comfort with, some of sci-fi's outdoor advertising channels.

Something tells me these might be kinda noticeable....(via source)

First, the city of Miami has fast tracked approval for two 'skyscraper' sized digital LED screens within the city. The digital ad platforms would come in at a total height of 50 stories, with the first 100 feet being supplied by a parking deck. While event type installations are nothing new within outdoor advertising, this seems, given the mock-up, to take attention grabbing dynamic content to a new level. While sights such as Picadilly Circus neon signs barely go above 5 stories, the 22 story advertising installations would bring us a step further to the ever present advertising in films like Blade Runner (now if we only had a zepplin...). So, film associations aside, will something this big work? The panels come in a line of large, historic outdoor installations, so they may follow other examples and become part of the skyline. However, they must strike a pretty hard balance between being bombastic & noticeable without being a horrible eyesore.Either way, the creative opportunities for advertisers seem pretty varied (someone planning a monster movie campaign is salivating already).



Secondly, in smaller scale, but customizable advertising, the Telegraph (and my Daily Links section) featured a story about the advancement of consumer customized, digital advertising panels (ala Minority Report, as shown above). Technology such as this has been in development for some time, with previous installations tracking approximations of age and gender from a web cam monitoring consumers. Currently however, IBM has spoken of taking the tech a step further, utilizing RF-ID to obtain user information for a more granular customization.

 Whether consumers accept something like this or see it as an invasion of privacy depends on the implementation of the technology over the next few years. Consumer attitudes are a long way from accepting a very tangible and public representation of what advertisers know about them and the technology to do more than approximate characteristics is far off from being widely accepted. If advertisers, technology providers and media owners can slowly progress the general consumer attitude to a more accepting view of data customization through RF-ID or another wireless solution, then something like this may have a chance of occurring. Alternatively, high costs, privacy concerns and lack of a standardized information system may limit this technology to webcam based approximation.

When is an outdoor ad actually a homeless person?

Happy New Year everyone. I'm back from a restful holiday and aside from a snow related cold, 2010 is starting off well. As I'm currently in bed recovering from the effects of a cold and scouring the Sunday morning interwebs, I noticed this story on a few sites and Fark.com which seemed to ask an interesting point.

Source: Link

      The story behind all of these articles is based on promotions for the new Michael Cera movie "Youth in Revolt". David Permut, a television and movie producer associated with the film, has paid Ronald, a homeless man he passes on the way to work, $100 dollars to hold the movie's poster for the day under his normal sign.


     The reaction to this new media channel's creation hasn't yet been widespread or uniquely loud as a Google news search turned up 0 references of this and a Technorati search pointed to two blog entries (the original Nikki Finke story and Gawker). However, when comparing the opinions in both the articles and posted comments of the few sources that have covered this, there seems to be a rather defined split between those that view using a homeless individual in this way is exploitation and those that view $100 as a useful benefit to someone who normally makes $.50 to $1 a donation.

      Looking at it, my first reaction is to say that because Ronald isn't in a position to say "no" to $100, there is a small bit of exploitation. That being said, the more I think about it, the more I think that it truly is job creation for the man and it doesn't seem to being doing him any harm. People on the whole (especially in large cities like LA, NY & London), tend to ignore the transient, so anything that gets some response or moment of attention without degradation is useful. It could be argued that this may dehumanize the individual in a way, but I think society has done that to a much greater degree way before this was conceived.

     The risk in this situation is truly on the film, the producer and the associated brands. If this were to be done on a larger scale, or if this one occurrence were to be widely publicized, then the quick first reaction of the consuming public may be closer to what I initially thought, over what I came to with rationalization.

         Overall, is this different than paying someone to wear a sandwich board and stand on the street? No, and it's probably more lucrative as someone would have to work longer than a day to make $100 at minimum wage after taxes. Is this a signal of things to come? Probably not, as I highly doubt (using London as an example) that I'll see some homeless individual holding a sign next to Tesco reminding me to pickup a certain brand of pasta.

            What does everyone else think? Is this exploitation or a useful way to help the less fortunate?